What are you going to criticize Republicans for? Sure, they’re morally bankrupt and destroying the country, but they’re doing exactly what their dipshit voters asked for and succeeding beyond their wildest dreams.

Democrats are the ones who are being laughably inept at what they claim to want.

Flak cannon all the way, but I spent many days in high school instagibbing my friends so the shock rifle does hold a special place in my heart.

Certain ones, like music trackers, can still be interviewed into. Once you get into an initial tracker and establish yourself, it becomes easier to find / get into new ones via forum invites. It’s a long road but barring a time machine it’s the easiest way.

I dunno, maybe I just had crappy indexers but usenet was always more miss than hit for me. Maybe it’s superior to public torrents but private trackers are the gold standard.

The way the first paragraph is written made me think this is a garbage AI article, but I guess it was a joke. I hate this future.

The mistreatment of the yuppies is my favorite part of that movie. When she opens the door and gets attacked by the squirrel and then the dog, or when the icicle destroys their stereo I crack up every time.

I’m with you, I’m having a blast, but I think the reactions are because of the idea that it would be a Skyrim type game and… It’s not really even trying to be that. Like you said, it’s an ARPG, the roleplaying is basically just dialogue and most of the game is really well done exploration and combat.

Sure, whatever. I just think the way shit is credited actually matters, e.g. “Run the Jewels” isn’t a Killer Mike album even though he’s on every track, just like “Kid A” isn’t a Thom Yorke album. Shobaleader One’s work is separate from Squarepusher even though it’s literally the same person.

Artists make subtle choices when crediting their work, but yeah it’s ultimately subjective so do you.

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I know you think it’s pedantic, it’s just that the artist determines what is his personal work and what isn’t. If you look up Aesop Rock’s discography, Malibu Ken isn’t on it, but Garbology is.

It’s different because MK is a duo, where Garbology is an Aesop album that basically feats. Blockhead on every track.

Malibu Ken isn’t an Aesop album it’s a Malibu Ken album. TOBACCO should not be underestimated and is great on his own too.

In my experience that’s a very appropriate boner.

I was sort of with you on the ocean stuff, swimming there isn’t really a substitute for a lifejacket, but swimming being for the privileged is a weird take.

If you don’t have access to a body of water for free, then public pools are usually cheaper than a movie ticket. You don’t need any equipment, all you need is one person that kinda half way knows how to swim and is willing to point you in the right direction.

My kid bought me a Back to the Future DeLorean for my birthday, about 2000 pieces.

Initially I thought it was kind of a mis-gift, something they would enjoy more than me since I hadn’t built a set since they were small and needed my help, but I made it a point to crack it open instead of letting it sit and it turned out to be quite enjoyable.

Yes? It’s been renewed, and should premiere this year.

Sorry, I don’t care what Kurtzman says about this (or an actor that is obliged to defend a project he was in) when it’s justifying putting out schlock for mind share. If that’s the best we can do, let it die - it doesn’t make anything that exists any worse.

Trek needs a good show that stands alone and isn’t aimed at us but a fresh audience. That means no cameos, limited references, not animated (that is a stigma as much as I love LD), and actually taking the time to get people invested.

Basically, they needed Discovery to not be garbage. I know non-Trekkies that were actually excited for a new sci-fi romp and got turned off almost immediately by the nonsense writing. Not the cast, or stupid out of universe concerns about being “woke” or some shit, just plain out “this makes no sense and isn’t fun to watch” and it was hard to disagree.

Everything since then has lived in Discovery’s shadow in terms of new audience and has mostly dealt with that by being aimed at fans of 90s Trek and nobody else. Prodigy may be an exception here, but that suffers from being oriented at kids.

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They can’t run a candidate that can win because that would require a platform that steps on too many donors’ toes.

I used mutt back in the day, opening vim for message editing.

I wouldn’t do a mailing list these days, but as someone who spent the early part of my career interacting with devs that preferred this method, it’s actually pretty ergonomic by a 2005 standard. A message thread aware, text based email client that can turn messages into patches in a keystroke makes it actually pretty comparable to modern code review…

I think it’s hard for younger devs to get this because they’re used to email being stuck in a crappy, unthreaded browser interface or Outlook etc. (which are terrible for mailing lists) and most collaboration taking place in code review and chat platforms like Teams/Slack but for decades before these were feasible, email was the way…